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Using other people’s research or ideas without giving them due credit is plagiarism.Provenance and accurate, detailed condition information is included with each listing. Discount may apply on the purchase of multiple items. International sales (outside of the United States) require payment via Pay Pal. Acquired via inheritance from her mother who was an artist, collector and world travler. Although referred to as 'axes', these were not made for use as weapons, but were chisels (tools) used to shape and carve stone. Its size, form and condition make this an amazing example that displays dramatically on the custom metal stand which is included. There are three sizes here, possibly representing different monetary denominations. The surface is also slightly clouded by a salt-lime haze which could be cleaned, but is currently in original, as found condition. Many of the glyphs are readable and include 'imix' (meaning plentiful), hand glyphs (scattering), 'ahau' (lord), vulture head glyphs and a number of others which together complete the Primary Standard Sequence. A wide strap handle is attached to the neck and upper shoulder. Their art shows strong Olmec and Tlatilco influence as is seen in the prominent lips and pierced eyes. A nice example from one of Mesoamerica's earliest cultures. The top section is divided into quadrants each with a central figure. The figure is shown standing with arms stretched outward (sonriente style) and wears a loin cloth, nose ornament and large earspools. A fine and very early example of erotic art from that region. The jaguar motif continues on the interior of the bowl where a row of four stylized felines circle the inner rim. A classic depiction of the Chinesco 'Type-D' style. This life-size example portrays an individual with chubby cheeks; possibly a depiction of a 'coca chewer'. Heavily potted from a coarse gritty clay indicative of Costa Rican wares, but shows strong Panamanian (Cocle) stylistic influence. Rounded bowl with nearly straight neck and rolled rim. The hands are nicely sculpted and show painted fingernails. The head is intact with only two spout chips restored. Approx 13" tall x 8.5" across 5 — Costa Rica 400 AD - 700 AD An unusual tripod rattle vessel from Costa Rica's Atlantic Watershed Zone. Redware construction with opposing loop handles and flared spout. A male figure emerges from the upper shoulder of the vessel. Nicely painted with a band of glyphs or pseudo-glyphs in vibrant shades of red and black against a tan background. The front and back legs are incised and have paws (claws) sculpted in low relief. He (she) smiles widely exposing filed teeth and has almond shaped eyes. It depicts a central band of stylized birds with rows of waves (water motif) at the top and bottom. The gently curving sides of the bowl are finely painted in diagonal stripes. The back is completely painted with parallel lines in black on tan. Assembled from approximately six original pieces with breaklines partially restored and slightly visible. The cream colored surface is nicely burnished inside and out with areas of orange and black (fire clouding) on one side. Assembled from three original pieces with breaks restored. Minor surface wear, dings and scratches along with light deposits consistent with age. By far the largest examples of this type I have ever seen. 0 — Costa Rica 1100 AD - 1500 AD A nice Nicoya pottery dish with a rare depiction of the "Dancing Monkey Deity". The top of the figures head is open and serves as a pouring spout. — Various Cultures 500 BC - 1500 AD NOTE: Six additional miniatures have been added to this listing. A wide central band of incised geometric designs decorate the exterior. This type of vessel, typically called a 'frutera', has a flared pedestal base topped by a deep bowl painted with complex geometric and zoomorphic designs. 0 — Ecuador 500 BC - 200 AD Small Jamacoaque rattle figure from ancient Ecuador. She wears an asymmetrical headdress with nodes across the forehead, nose ornament, lip plug (labret) and necklace with a large pendant. Large figures of shamans, such as this one, are indicative of their high status in Jamacoaque culture and are often depicted displaying their ceremonial paraphernalia as symbols of power. Two sets of museum codes written in ink across the top. Vessels with articulated parts are exceedingly rare in Costa Rican pottery. Minor losses replaced and several repaired breaks at the rim. Two of the legs have been reattached and partially restored. Faint remains of white pigment on the legs and traces of black on body of the vessel. Overall an impressive piece that displays dramatically. See page 62 of the "Art of Costa Rica from the Arthur M.Contact me via email at: [email protected] call 828-322-2942. All international shipping costs, insurance and import fees are the responsibility of the buyer. Both are very heavily cast; thick and heavy with large 'T' flanges. A larger one flanked by 2 medium sized ones are displayed on a custom metal stand. A lovely example from a seldom seen Bolivian culture. At the back is a vertical row of three stacked glyphs for 'muluc', meaning water. Painted in dark brown-black against a cream-yellow background as is typical. The figure is shown seated with one arm outstretched, the other curled to the chest and is wearing a broad collar (necklace), turban style headwrap and large circular earspools. A small portion of the headdress has also been restored, otherwise intact. Two human figures with arms held upward and wearing crescent shaped 'solar' headdresses along with two monkeys (or felines) shown in profile also wearing solar headdresses. The wide, turban-style headwrap is carved with slightly angled vertical lines and has a large circular medallion on top. In the bottom are three more felines around a central jaguar head. This type is characterized by puffy, slit-like eyes and broad rectangular head with incised hair. The practice of chewing coca leaves began in ancient Peru. The armadillo sits on a low ring-type base with a tall tapered spout above. Nicely painted in dark brown-black against a cream-yellow background. The body has been assembled from approximately eighteen (18) original pieces with break lines restored, a few very small losses replaced and paint enhancements. Sometimes these are called 'chocolate pots' or 'spider-leg' vessels. At the neck are impressed dots and carved linear geometric decoration. Realistically sculpted head, arms, legs and genitals. The figure is most likely a depiction of a shaman transforming into animal form; a jaguar or possibly a monkey. Rows of red stripes on the interior rim and below the glyph band. Minor scrapes, dings and paint loss, but intact with no repairs or restoration. A very long tail is partially sculpted and incised down the back. The headdress features an interlocking, woven mat design in high relief. The lower edge is decorated with long rectangular strips (fringe). Minor paint enhancements and light deposits present. The plate (shallow bowl) is flat on the bottom and shows the central image of Tlaloc. The upper bowl is identical in form to the plate, flat bottom and widely flared rim. The shallow bowl is polychrome painted with red and black on an orange background. The exterior has wide bands of red and smaller black lines circling the outer rim. Assembled from four original pieces and the break lines restored along with some light paint touch ups. Originally acquired in 1972 from Hartwell Kennard of Mc Allen, Texas. 6.5" across 0 — Guatemala 250 AD - 600 AD A huge Maya tripod cylinder vessel dating the the Early Classic Period. — Peru 700 AD - 1300 AD A large and unusual Lambayeque figural vessel from ancient Peru. The figure is nicely adorned with elaborate ear spools and bracelets. An amazing collection of 21 (twenty-one) Pre-Columbian miniatures. 0 — Peru 700 AD - 1500 AD A gorgeous Lambayeque whistle vessel from ancient Peru. The chocolate brown surface is nicely burnished inside and out. Assembled from around a dozen original pieces with breaks restored and some losses replaced. A rare example, the interior (tonto) is divided into three segments. Painted with red over buff-gray terracotta along with some teal paint remaining in the crevices. Constructed of tan terracotta with orange pigment on the face and nose ornament. There are light stains (sticker residue) on both sides. Sackler Collections" for a similar example and additional information.Thus, unlike most of the sites we have reviewed in this category, Lesbian Personals Online is not a women-only site, but instead is open for access by all members of the network.Whilst search results can be filtered by specific interest in order to exclude those who you do not want to show up (and some users may be pleased by the greater audience through which to search), many of our readers may feel, as we do, that this detracts from the safe and unprejudiced 'lesbian-friendly' atmosphere that the site claims to create.Find exactly you want with extensive member profiles, photos, video introductions and more! Black Black Singles Network This network was developed to provide professional African American singles with an opportunity to meet, interact and have a good time.

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